By sublimating the essential architectural elements of the traditional architecture of the city, we did not want to enter into a mere imitation of forms and details. We strove to find a “middle” path from tradition to contemporary transposition, which enables optimal respect for the inherited without losing the “Zetgeist” as an important parameter for the evaluation of an architectural work. When it comes to volumes, a “group form” was observed as a reflection of logical spontaneity in the urban matrix of the city. Thus, in this project, four houses “met” on the square, which can be read from several important points, both in the shape of the building and in the interior space.